Reading And Writing tips
Reading And Writing tips
Lynn Bohart · Reading And Writing coach

FICTIONAL DECTECTIVES AND HOW TO CREATE THEM By Lynn Bohart Author, Freelance Writer, Mystery Coach
We all love a good mysteryâdonât we?
After all, thereâs a timeless appeal to following a detective as they sift through a seemingly endless trail of information in pursuit of a single, climactic, aha moment that will unmask a killer. And who better to do that than Sherlock Holmes, Sam Spade, Nancy Drew, Hercule Poirot, or Miss Marple? Orâif you prefer your sleuths on the screenâHarry Bosch, Columbo, Olivia Benson, Adrian Monk, or Jessica Fletcher.
I believe fictional detectives hold a special place in the history of storytelling because theyâre so memorable. Unlike their real-life counterparts who do the actual work of crime solving, fictional detectives have the good fortune of being conceived by an author who begins the story with an end goal in mind and a plan on how to get there. Mistakes along the way only fill the proverbial waste basket rather than jeopardizing actual people or complex investigations.
What is it that makes fictional detective stories so unputdownable? Why do we read multiple books in a mystery series or binge watch endless episodes of TV crime thrillers?
There are probably two reasons.
One is that long-running mysteries tend to be well crafted. I didnât particularly like the lead character in the British TV show âVera,â and yet I watched all fourteen seasons because I thought the stories were so good. The second reason is that authors and screenwriters of popular mysteries create characters we love to follow. Iâve read most of the Agent Pendergast books co-written by Douglas Preston and Lincoln Child mainly because I love the main character so much. Heâs weird, completely unbelievable, and yet fascinating.
Iconic fictional detectives, even amateur sleuths, rely on one or more important personal characteristics that not only make them successful but intriguing. First, theyâre smart, sometimes brilliant (as in the case of Sherlock Holmes). They have an uncanny ability to separate the wheat from the chaff. Unless the story is a slapstick comedy (Peter Sellers in the âPink Pantherâ), the detective must have some intellectual chops.
Having a strong intellect, however, isnât enough. Typically, the best detectives are fueled by relentless curiosity. To them, investigating a crime is like pulling a continuous thread they canât stop pulling. Why? Because they have a primordial need to see whatâs at the other end. And yes, while their curiosity ultimately produces results, it often gets them into trouble.
Thatâs just part of the story. A good detective must also display a strong power of observation. They see things others donât see. The fleck of red clay dirt on someoneâs shoelace. The photo of the victimâs rowing team picturing a guy who swore heâd never met the victim. The lingering perfume of the killer. Even if the investigator misses the connection in the beginning of the story, they will make that connection by the end.
And finally, believable detectives are plagued with a kind of doggedness. They donât give up. No matter what. They can get fired, removed from the case, warned off by a death threat, or haunted by a ghost, and yet theyâll keep going. Yep. Just like the Energizer Bunny. After all, I canât imagine Sherlock Holmes saying, âI canât figure that out. Let someone else do it.â
If youâre a mystery writer, or an aspiring mystery writer, Iâd suggest you spend some quality time with your lead character before you begin writing. What would make your character stand out in the already plentiful field of fictional sleuths? What would make them memorable? Think about the well-known ones like Sherlock Holmes, who, although a heroin addict, has an amazing ability to deduct solutions through logic and reason. Both Adrian Monk and Spencer Reid (âCriminal Mindsâ) suffer from forms of neurodivergence and yet, because of those disabilities, can see patterns around them that others canât. On the surface, Miss Marple is a nosy busybody. Underneath, she has a strong intuitive sense and the ability to identify certain human behaviors that donât fit the norm.
Once youâve figured out what might make your character unique, take some time to understand why readers would commit to following this character, especially if itâs an amateur sleuth, through the lengthy machinations of a murder investigation. What is it about their personality that qualifies them for such a role? What makes us like them? What makes us root for them? What is it about them that would motivate us to sit down to read or watch the next episode?
Murder mysteries are puzzles that we willingly invest time and patience in to get to a satisfactory conclusion. Your lead character, then, needs to be good at unraveling the threads of that puzzle that when reassembled will point a finger at the killer. If you can do that, youâll be one step closer to creating a mystery that people will love.
Copyright © 2026 Lynn Bohart All rights reserved. This book or any portion thereof may not be reproduced in any manner whatsoever without the express written permission of the publisher, except for brief quotations for the use of reviews or promo-tional articles approved by the author.
Published by Little Dog Communications www.lynnbohart-author.com
About the coach
Lynn Bohart
Reading And Writing coach
Helping aspiring writers grab and hold a reader's attention with first-class stories and essays.
I've taught writing and storytelling for over 12 years through Green River College and numerous online writing summits. I hold a master's degree in theater/English and am a published author with 11 novels, 2 short story books, and 3 nonfiction books on Amazon. I also own my own freelance writing company and specialize in creative writing, business writing, and helping students learn how to write to grab and hold a reader's attention.
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